The main footage was provided by a real actor, along with some supporting B-roll. I also used relevant clips from his Instagram to help match the story.

There were still a few moments where the right pain-point visuals were missing, so I generated additional images with Nano Banana 2 and animated them using Kling 3.0.

I kept the pacing slightly faster and used frequent visual changes to maintain attention without making the video feel overedited.